Television Development: How Hollywood Creates New TV Series is the world's first textbook on TV development.
The book pulls back the curtain on Hollywood's mysterious TV development processes: Who pitches new shows? How do they get into networks to pitch? Who decides which pitches networks buy? What role do TV studios play in TV development and how is it different from what TV networks do? What kind of notes do network and studio development executives give to writers? Do writers have to take all those notes? How do people get jobs as network development executives or agents? What's the best way for young people to begin careers in TV development? How do writers get agents and get their first jobs in TV? It looks so competitive—is it even worth trying? TV is changing so quickly—won't a textbook on TV development be moot by the time it takes to read it?
The short answer: No.
TV distribution is undergoing a period of massive disruption, but TV development isn't. Hollywood TV development is always evolving, of course, but by and large the processes of TV development are the same as they've been for decades. The fact that Netflix, Amazon, Hulu, Apple, YouTube and Facebook hired veteran TV development execs whose careers included long tours in broadcast and cable is evidence of this reality. TV development is primarily about material: ideas, pitches, stories, outlines, series bibles, scripts and increasingly pre-existing intellectual property.